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Parts of a typical bell: 1. yoke, 2. crown, 3. head, 4. shoulder, 5. waist, 6. sound rim, 7. lip, 8. mouth, 9. clapper, 10. bead line
(Bells: Percussion vessels with the vibration weakest near the vertex)
|From very high to very low|
|Chimes, Cowbell, Gong|
A bell (old Saxon: bellan, to bawl or bellow) is a simple sound-making device. The bell is a percussion instrument and an idiophone. Its form is usually a hollow, cup-shaped acoustic resonator, which vibrates upon being struck. The striking implement can be a tongue suspended within the bell, known as a clapper, a separate mallet or hammer, or in small bells a small loose sphere enclosed within the body of the bell.
Bells are usually made of cast metal, but small bells can also be made from ceramic or glass. Bells range in size from tiny dress accessories to church bells 5 metres tall, weighing many tons. Historically, bells were associated with religious rituals, and before mass communication were widely used to call communities together for both religious and secular events.1 Later bells were made to commemorate important events or people and have been associated with the concepts of peace and freedom. The study of bells is called campanology.
A set 23 of bells spanning at least two octaves is a carillon.
- 1 History
- 2 Ringing
- 3 Church and temple bells
- 4 Bell construed as a cause for war
- 5 Bellmaking
- 6 Bell towers
- 7 Notable bells
- 8 Usage as musical instruments
- 9 Farm bells
- 10 Dead bell
- 11 Bell Organizations
- 12 Gallery
- 13 See also
- 14 Notes
- 15 References
- 16 Further reading
- 17 External links
The earliest archaeological evidence of bells dates from 3rd millennium BC, and is traced to the Yangshao culture of Neolithic China.2 Clapper-bells made of pottery have been found in several archaeological sites.3 The pottery bells later developed into metal bells. In West Asia, the first bells appear in 1000 BC.2
The earliest metal bells, with one found in the Taosi site, and four in the Erlitou site, are dated to about 2000 BC.4 Early bells not only have an important role in generating metal sound, but arguably played a prominent cultural role. With the emergence of other kinds of bells during the Shang Dynasty (c. 1600 – c. 1050 BC), they were relegated to subservient functions; at Shang and Zhou sites, they are also found as part of the horse-and-chariot gear and as collar-bells of dogs.5
In the western world, the classical form of bell is a church bell or town bell, which is hung within a tower. There is often a clapper inside these bells. If the bell is immobile it is sounded by pulling the inside clapper or by a hammer on the outside. If the bell is hung in such a way that the entire bell can be swung freely by pulling on a rope then they can be sounded by swinging the bell back and forth against the non-moving clapper or by swinging the bell against the clapper and moving both through an arc, then pulling the bell rope so as to stop the bell and begin moving it in the opposite direction, to be struck by the clapper still moving in the original direction due to its inertia.
Occasionally the clappers have leather pads (called muffles) strapped around them to quieten the bells when practice ringing to avoid annoying the neighbourhood. Also at funerals, half-muffles are often used to give a full open sound on one round, and a muffled sound on the alternate round – a distinctive, mournful effect.
In the Eastern world, the traditional forms of bells are temple and palace bells, small ones being rung by a sharp rap with a stick, and very large ones rung by a blow from the outside by a large swinging beam. (See images of the great bell of Mii-dera below.)
The striking technique is employed worldwide for some of the largest tower-borne bells, because swinging the bells themselves could damage their towers.
In the Roman Catholic Church and among some High Lutherans and Anglicans, small hand-held bells, called Sanctus or sacring bells,6 are often rung by a server at Mass when the priest holds high up first the host, and then the chalice immediately after he has said the words of consecration over them (the moment known as the Elevation). This serves to indicate to the congregation that the bread and wine have just been transformed into the Body and Blood of Christ (see transubstantiation), or, in the alternative Reformation teaching, that Christ is now bodily present in the elements, and that what the priest is holding up for them to look at is Christ himself (see consubstantiation).
In the Russian Orthodox bell ringing the entire bell is never moving, only the clapper. A special complex system of ropes is developed and used individually for every belltower. Some ropes (the smaller ones) are played by hand, the bigger ropes are played by foot.
Japanese Shintoist and Buddhist bells are used in religious ceremonies. Suzu, a homophone meaning both "cool" and "refreshing", are spherical bells which contain metal pellets that produce sound from the inside. The hemispherical bell is the Kane bell, which is struck on the outside. Large suspended temple bells are known as bonshō. (See also ja:鈴, ja:梵鐘).
Hindu and Buddhist bells, called "Ghanta" in Sanskrit, are used in religious ceremonies. See also singing bowls. A bell hangs at the gate of many Hindu temples, which is rung at the moment one enters the temple.citation needed
On January 15, 1602 (Keichō 7), a fire broke out at Hōkō-ji, Buddhist temple complex in Kyoto. The great image of the Buddha and the structure housing the statue, the Daibutsu-den, were both consumed by the flames.78
On August 24, 1614 (Keichō 19), the huge new bronze bell was cast successfully.10 Dedication ceremonies were scheduled, but at the last minute, Tokugawa Ieyasu forbade the ceremonies to take place because he construed inscriptions on the bell to have been a personal affront:
[T]he tablet over the Daibatsu-den and the bell bore the inscription "Kokka ankō" (meaning "the country and the house, peace and tranquility"), and at this Tokugawa Ieyasu affected to take umbrage, alleging that it was intended as a curse on him for the character 安 (an, "peace") was placed between the two characters composing his own name 家康 ("ka-kō", "house tranquility") [suggesting subtly perhaps that peace could only be attained by Ieyasu's dismemberment?]... This incident of the inscription was, of course, a mere pretext, but Ieyasu realized that he could not enjoy the power he had usurped as long as Hideyori lived, and consequently, although the latter more than once dispatched his kerei Katagiri Kastumoto to Sunpu Castle with profuse apologies, Ieyasu refused to be placated."911
This contrived dispute led to the Siege of Osaka (大坂の役 Ōsaka no Eki , or, more commonly, 大坂の陣 Ōsaka no Jin), which was a series of battles between armies of the Tokugawa shogunate and the samurai of the Toyotomi clan. The siege lasted through 1615. It is conventionally divided into two stages—the Winter Campaign and the Summer Campaign. In the end, the total destruction of the Toyotomi eliminated the last major opposition to the shogunate which would come to dominate Japan for the next 250 years.12
The process of casting bells is called bellfounding or bellmaking, and in Europe dates to the 4th or 5th century.13 The traditional metal for these bells is a bronze of about 23% tin.14 Known as bell metal, this alloy is also the traditional alloy for the finest Turkish and Chinese cymbals. Other materials sometimes used for large bells include brass and iron. Steel was tried during the busy church-building period of mid-19th-century England, for its economy over bronze, but was found not to be durable and manufacture ceased in the 1870s.15
Small bells were originally made with the lost wax process but large bells are cast mouth down, in a two-part mould clamped to a base-plate.17 The core is built on the base-plate using porous materials such as coke or brick and then covered in loam well mixed with straw and horse manure. This is given a profile corresponding to the inside shape of the finished bell, and dried with gentle heat. Graphite and whiting are applied to form the final, smooth surface. The outside of the mould is made within a perforated cast iron case, larger than the finished bell, containing the loam mixture which is shaped, dried and smoothed in the same way as the core. The case is inverted (mouth down), lowered over the core and clamped to the base plate. The clamped mould is supported, usually by being buried in a casting pit to bear the weight of metal and to allow even cooling.18 In earlier times, before road transport of large bells was possible, a pit may have been dug in the grounds of the building where the bell was to be installed. Molten bell metal is poured into the mould through a box lined with foundry sand.
Bells are made to exact formulas, so that given the diameter it is possible to calculate every dimension, and its musical note, or tone. The frequency of a bell's note varies with the square of its thickness, and inversely with its diameter. Much experimentation has been devoted to determining the exact shape that will give the best tone. The thickness of a church bell at its thickest part, called the "sound bow", is usually one thirteenth its diameter. If the bell is mounted as cast, it is called a "maiden bell". "Tuned bells" are worked after casting to produce a precise note. The elements of the sound of a bell are split up into hum (see subharmonic), second partial, tierce, quint and nominal/naming note. The bell's strongest overtones are tuned to be at octave intervals below the nominal note, but other notes also need to be brought into their proper relationship.21 Bells are usually tuned via tuning forks and electronic stroboscopic tuning devices commonly called a Strobe tuner.
Bells are also associated with clocks, indicating the hour by ringing. Indeed, the word clock comes from the Latin word cloca, meaning bell. Clock towers or bell towers can be heard over long distances which was especially important in the time when clocks were too expensive for widespread use. In many languages the same word can mean both "clock" and "bell".
In the case of clock towers and grandfather clocks, a particular sequence of tones may be played to represent the hour, half hour, quarter hour, or other intervals. One common pattern is called the "Westminster Quarters," a sixteen-note pattern named after the Palace of Westminster which popularized it as the measure used by Big Ben.
- The Great Bell of Dhammazedi (1484) may have been the largest bell ever made. It was lost in a river in Burma after being removed from a temple by the Portuguese in 1608. It is reported to have weighed about 300 tonnes (330 tons).
- The Tsar bell by the Motorin Bellfounders is the largest bell still in existence. It weighs 160 tonnes (180 tons), but it was never rung and broke in 1737. It is on display in Moscow, Russia, inside the Kremlin.
- The Great Mingun Bell is the largest functioning bell. It is located in Mingun, Burma, and weighs 90 tonnes (100 tons).
- The Gotenba Bell is the largest functioning swinging bell, weighing 79,900 pounds (36,200 kg). It is located in a tourist resort in Gotenba, Japan. Hung in a freestanding frame, and rung by hand. Cast by Eijsbouts in 2006.
- The World Peace Bell was the largest functioning swinging bell until 2006. It is located in Newport, Kentucky, United States, cast by Paccard Foundry of France. The bell itself weighs 66,000 pounds (30,000 kg) while with clapper and supports the total weight which swings when the bell is tolled is 89,390 pounds (40,550 kg).
- The Bell of King Seongdeok is the largest extant bell in Korea. The full Korean name means "Sacred Bell of King Seongdeok the Great." It was also known as the Bell of Bongdeoksa Temple, where it was first housed. The bell weighs about 25 tons and was originally cast in 771 CE. It is now stored in the National Museum of Gyeongju.
- Pummerin in Vienna's Stephansdom is the most famous bell in Austria and the fifth largest in the world.
- The St. Petersglocke, in the local dialect of Cologne also called "Dicke Pitter" (fat Peter), is a bell in Germany's Cologne Cathedral. It weighs 24 tons and was cast in 1922. It is the largest functioning free-swinging bell in the world that swings around the top. (The Gotenba Bell and the World Peace Bell swing around the center of gravity, which is more like turning than swinging. So, depending on the point of view, the St. Petersglocke may be up to now the largest free-swinging bell in the world.)
- Maria Dolens, the bell for the Fallen in Rovereto (Italy) weighs 22.6 tons.
- The South West tower of St Paul's Cathedral in London, England, houses Great Paul, the largest bell at 16.5 tons in the British Isles. One can hear Great Paul booming out over Ludgate Hill at 1300 every day.
- Big Ben is the third largest bell in the British Isles, after Great Paul (St Paul's Cathedral, City of London) and Great George (Anglican Cathedral, Liverpool). It is the hour bell of the Great Clock in the Clock Tower at the Palace of Westminster, the home of the Houses of Parliament in the United Kingdom.
- The Dom Tower in the city of Utrecht, the Netherlands, houses the second largest free-swinging bell of Europe, the Salvator, weighing 8.2 tons, cast in 1505 by Geert van Wou.
- Great Tom is the bell that hangs in Tom Tower (designed by Christopher Wren) of Christ Church, Oxford. It was cast in 1680 and weighs over 6 tons. Great Tom is still rung 101 times at 21:05 every night to signify the 101 original scholars of the college.
- The Liberty Bell is a 2,080 pounds (940 kg)22 American bell of great historic significance, located in Philadelphia, Pennsylvania. It previously hung in Independence Hall and was rung on July 4, 1776 to mark American independence.
- Little John, named after the character from the legends of Robin Hood is the bell within the Clock Tower of Nottingham Council House. It was the deepest toned clock bell in the United Kingdom until Great Peter of York Minster was incorporated into a new clock chime to celebrate the Queen Mother's centenary. Great Peter is deeper than Little John by only a few Hz. The sound of Little John is said to be heard over the greatest distance of any bell in the UK, occasionally on quiet days being heard in Derby.citation needed
- Sigismund is a bell in the Wawel Cathedral in Kraków, Poland, cast in 1520. It is rung only on very significant national occasions.
- The Maria Gloriosa in Erfurt, cast by Geert van Wou, is considered to be one of Germany's, and also Europe's, most beautiful medieval bells, serving as a model for many other bells.citation needed
- The Lutine Bell, named after HMS Lutine, weighs 106 pounds (48 kg) and bears the inscription "ST. JEAN – 1779". It rests in Lloyd's of London Underwriting Room where it used to be struck when news of an overdue ship arrived – once for the loss of a ship (i.e. bad news, last in 1979), and twice for her return (i.e. good news, last in 1989).
Some bells are used as musical instruments, such as carillons, (clock) chimes, or ensembles of bell-players, called bell choirs, using hand-held bells of varying tones. A "ring of bells" is a set of 4 to twelve bells or more used in change ringing, a particular method of ringing bells in patterns. A peal in changing ringing may have bells playing for several hours, playing 5,000 or more patterns without a break or repetition. They have also been used in many kinds of popular music, such as in AC/DC's "Hells Bells."
The ancient Chinese bronze chime bells called bianzhong or zhong / zeng (鐘) were used as polyphonic musical instruments and some have been dated at between 2000 to 3600 years old. Tuned bells have been created and used for musical performance in many cultures but zhong are unique among all other types of cast bells in several respects and they rank among the highest achievements of Chinese bronze casting technology. However, the remarkable secret of their design and the method of casting—known only to the Chinese in antiquity—was lost in later generations and was not fully rediscovered and understood until the 20th century.
In 1978 a complete ceremonial set of 65 zhong bells was found in a near-perfect state of preservation during the excavation of the tomb of Marquis Yi, ruler of Zeng, one of the Warring States. Their special shape gives them the ability to produce two different musical tones, depending on where they are struck. The interval between these notes on each bell is either a major or minor third, equivalent to a distance of four or five notes on a piano.23
The bells of Marquis Yi—which were still fully playable after almost 2500 years—cover a range of slightly less than five octaves but thanks to their dual-tone capability, the set can sound a complete 12-tone scale—predating the development of the European 12-tone system by some 2000 years—and can play melodies in diatonic and pentatonic scales24
In more recent times, the top of bells in China was usually decorated with a small dragon, known as pulao; the figure of the dragon served as a hook for hanging the bell.
Konguro'o is a small bell which, like the Djalaajyn, was first used for utilitarian purposes and only later for artistic ones. Konguro'o rang when moving to new places. They were fastened to the horse harnesses and created a very specific "smart" sound background. Konguro'o also hung on the neck of the leader goat, which the sheep herd followed. This led to the association in folk memory between the distinctive sound of konguro'o and the nomadic way of life.
To make this instrument, Kyrgyz foremen used copper, bronze, iron and brass. They also decorated it with artistic carving and covered it with silver. Sizes of the instruments might vary within certain limits, what depended on its function. Every bell had its own timbre.
A variant on the bell is the tubular bell. Several of these metal tubes which are struck manually with hammers, form an instrument named tubular bells or chimes. In the case of wind or aeolian chimes, the tubes are blown against one another by the wind.
The skrabalai is a traditional folk instrument in Lithuania which consists of wooden bells of various sizes hanging in several vertical rows with one or two wooden or metal small clappers hanging inside them. It is played with two wooden sticks. When the skrabalai is moved a clapper knocks at the wall of the trough. The pitch of the sound depends on the size of the wooden trough. The instrument developed from wooden cowbells that shepherds would tie to cows' necks.
Whereas the church and temple bells called to mass or religious service, bells were used on farms for more secular signaling. The greater farms in Scandinavia usually had a small bell-tower resting on the top of the barn. The bell was used to call the workers from the field at the end of the day's work.
In folk tradition, it is recorded that each church and possibly several farms had their specific rhymes connected to the sound of the specific bells. An example is the Pete Seeger and Idris Davies song "The Bells of Rhymney".
In Scotland up until the 19th century it was the tradition to ring a Dead bell, a form of hand bell, at the death of an individual and at the funeral.
The following organizations promote the study, music, collection and/or preservation and restoration of bells.25 Nation(s) covered are given in parenthesis.
- The American Bell Association International (United States with foreign chapters)
- Association Campanaire Wallonne asbl (Belgium)
- Associazione Suonatori di Campane a Sistema Veronese (Italy)
- The Australian and New Zealand Association of Bellringers (Australia, New Zealand)
- Beratungsausschuss für das Deutsche Glockenwesen (Germany)
- British Carillon Society (United Kingdom)
- The Central Council of Churchbell Ringers (United Kingdom)
- Handbell Musicians of America (United States, chapter of English Handbell Ringers Association)
- Handbell Ringers of Great Britain (United Kingdom)
- Société Française de Campanologie (France)
- Verband Deutscher Glockengießereien e.V. (Germany)
- World Carillon Federation (multinational)
The bell within the Clock Tower colloquially known as Big Ben.
St. Petersglocke (with person for scale).
Bronze jingyun bell cast in the year 711 AD, Xi'an.
St. Ulrich, Memmingen
Japanese temple bell of the Ryōanji Temple, Kyoto
Glendale's Fire Bell. When Glendale, Arizona established its first all Volunteer fire department in 1912, this bell alerted the volunteers, which was made up of the local business owners. The bell was originally located on the towns’ water tank behind the Sine Hardware store at 58th Drive. The bell is now located at Fire Station #151 in Glendale where it serves as a reminder of that departments pioneer days.
- The American Bell Association International
- Electronic tuners, used to tune bells
- John Taylor Bellfounders
- Ship's bell
- Veronese bellringing art
- Whitechapel Bell Foundry
- "Bell". Encyclopaedia Britannica, 11th Edition 3. University Press. 1910. pp. 687–691. Retrieved 2012-02-01.
- Lothar Von Falkenhausen (1993). Suspended Music: Chime Bells in the Culture of Bronze Age China. University of California Press. p. 132. ISBN 978-0-520-07378-4. Retrieved February 8, 2013. "China seems to have produced the earliest bells anywhere in the world... the earliest metal bells may have been derived from pottery prototypes, which seem to go back to the late stage of the Yang-Shao culture (early third millennium BC)"
- Huang, Houming. "Prehistoric Music Culture of China," in Cultural Relics of Central China, 2002, No. 3:18–27. ISSN 1003-1731. pp. 20–27.
- Falkenhausen (1994), 132, Appendix I 329, 342.
- Falkenhausen (1994), 134.
- Herrera, Matthew D.Sanctus Bells: Their History and Use in the Catholic Church. San Luis Obispo: Tixlini Scriptorium, 2004. http://www.ewtn.com/library/liturgy/sanctusbells.pdf
- Ponsonby-Fane, p. 290.
- Titsingh, p. 409.
- Ponsonby-Fane, p. 292.
- Hōkō-ji bell, JP: Nagasaki University, 19th century .
- Titsingh, p. 410.
- Murdock, James (1903). A History of Japan, pp. 541–2.
- Milham, Willis I. (1945). Time and Timekeepers, p. 313-318.
- Cubberly, William H. (1989). "Metals". In Bakerjian, Ramon. Tool and manufacturing engineers handbook. Dearborn, MI: Society of Manufacturing Engineers. pp. 15–38. ISBN 978-0-87263-351-3.
- Jennings, Trevor (1988). Bellfounding. Princes Risborough, England: Shire. p. 8. ISBN 0-85263-911-2.
- "Bell with Saints Peter, Paul, John, and Thomas". The Walters Art Museum.
- Jennings (1988: 3; 10)
- Jennings (1988: 11)
- Musical Association (1902). Proceedings of the Musical Association, Volume 28, p.32. Whitehead & Miller, ltd.
- John Alexander Fuller-Maitland (1910). Grove's dictionary of music and musicians, p.615. The Macmillan company. Strike note shown on C. Hemony appears to be the first to propose this tuning.
- Jennings (1988: 21)
- "The Liberty Bell" (pdf). National Park Service. Retrieved 2010-08-11.
- Alan Thorne & Robert Raymond, Man on the Rim: The Peopling of the Pacific (ABC Books, 1989), pp.166–67
- Cultural China website – "Bronze Chime Bells of Marquis Yi"
- Rama, Jean-Pierre (1993). Cloches de France et d’ailleurs, Le Temps Apprivoisé, pp.229-230. Paris, France. ISBN 2283581583.
- Milham, Willis Isbister. (1944). Time and Timekeepers: Including the History, Construction, Care, and Accuracy of Clocks and Watches. New York: Macmillan. OCLC 23271006
- Murdoch, James. (1903). 0-415-15416-2&lr=&client=firefox-a A History of Japan. London: Paul, Trech, Trubner. [re-issued by Routledge, London, 1996. 10-ISBN 0-415-15416-2; 13-ISBN 978-0-415-15416-1
- Ponsonby-Fane, Richard A. B. (1956). Kyoto: The Old Capital of Japan, 794–1869. Kyoto: The Ponsonby Memorial Society.
- Titsingh, Isaac. (1834). [Siyun-sai Rin-siyo/Hayashi Gahō (1652)]. Nipon o daï itsi ran; ou, Annales des empereurs du Japon. Paris: Oriental Translation Fund of Great Britain and Ireland.
- Willis, Stephen Charles. Bells through the Ages: from the Percival Price Collection = Les Cloches à travers les siècles: provenant du fonds Percival Price. Ottawa: National Library of Canada, 1986. 34 p., ill. with b&w photos. N.B.: Prepared on the occasion of an exhibition of the same title, based on the collection of bell and carillon related material and documentation, of former Dominion Carilloneur (of Canadian Parliament, Ottawa), Percival Price, held at the National Library of Canada (as then named), 12 May to 14 Sept. 1986; some copies come with the guide to the taped dubbings of the recordings played as background music to the displays, as technically prepared by Gilles Saint-Laurent and listed by Stephen Charles Willis, both of the library's Music Division; English and French texts respectively divided into upper and lower portions of each page. ISBN 0-662-54295-9
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