Born in Buenos Aires, Ferrari employed methods such as collage, photocopying and sculpture in wood, plaster or ceramics. He often used text, particularly newspaper clippings or poetry, in his pieces. His art often dealt with the subject of power and religion; images or statues of the saints, the Virgin Mary or Jesus may be found in cages, sinks, meat blenders or frying pans. He has also dealt with issues of United States influence — in his best-known work, La civilización occidental y cristiana ("Western-Christian Civilization", 1965), Christ appears crucified on a fighter plane, as a symbolic protest against the Vietnam War ().
Ferrari also wrote many articles for left-leaning newspaper Página 12. His work and his politics brought him much controversy and notoriety. He was forced into exile in São Paulo, Brazil from 1976 to 1991 following threats by the military dictatorship, which "disappeared" his son Ariel in 1977. In 2004, his exhibition in Recoleta, Buenos Aires, was forced to close following intervention by Pope Francis (then Archbishop of Buenos Aires) and a subsequent court order. Protests and government action allowed the exhibition to reopen.
Ferrari died on July 25, 2013 at the age of 92.2
- 2010: Rencontres d'Arles festival, France
|This article about an Argentine artist is a stub. You can help Wikipedia by expanding it.|