Music of Venezuela
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Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains.
Joropo was developed by creative artists such as Juan Vicente Torrealba, Ignacio Figueredo and Angel Custodio Loyola, who helped to popularize the music throughout the country. Since then a slick, contemporary form of pop-llanera has developed which has earned the scorn of some purists who perceive it as stale and watered-down. Some singers, such as Simon Diaz and Reynaldo Armas have maintained a huge following over the years. In a similar vein, there is also neo-folklore, which takes traditional music and arranges it in an electronic style.
Another very popular music in Venezuela is the Gaita Zuliana. This genre originated from the region of Zulia State and is very popular during the Christmas season. The gaita united to the Aguinaldo, conforms the national representation of the Venezuelan Christmas. In the east, the malagueña, punto and galerón accompanies the velorios de cruz de mayo, (religious tradition, that is celebrated on May 3 in honor to the Christian cross). In the Venezuelan Andes, the Venezuelan bambuco is a local variation of the bambuco. Other forms include polo and the Venezuelan waltz. The Quinteto Contrapunto was a celebrated Venezuelan vocal quintet which reached nationwide and international celebrity in the early 1960s, and was very active for about a decade.
Other forms of Venezuelan folk music are tensively recorded and researched due to the work of Caracas-based Fundación Bigott. African-derived percussion (including multiple rhythms, such as sangueo, fulia, parranda and tamborera) is perhaps the best documented musical form. Fundacion Bigott has also produced groups such Un Solo Pueblo, Huracán de Fuego and Grupo Madera. These more experimental fusion artists combine rumba, Latin jazz, joropo, salsa, Venezuelan traditional chants and other forms of Latin American music. Venezuelan calypso music (including Calypso de El Callao), imported from Trinidad in the 1880s by immigrants arriving during a gold rush, has its own distinctive rhythms and lyrical style.
Another imported genre is Cuban-American salsa, which has produced several domestic superstars, including Oscar D'Leon. Dominican merengue and Latin pop acts such as Billo's Caracas Boys, the Porfi Jiménez Orchestra and Los Melódicos.
Pop and rock music are very popular too, and several bands have had considerable success over the years. Venezuelan pop musicians such as Ricardo Montaner, Kiara, Karina, José Luis Rodríguez "El Puma", Franco DeVita, and Ilan Chester have gained popularity in other Latin American countries. On the other hand, same history for a lot of well-known bands like Devendra Banhart (Naturalismo), Los Amigos Invisibles (Acid Jazz), Desorden Publico (Ska/Pop), King Chango (Ska/Latin American music), Culto oculto (Experimental/Rock), Caramelos de Cianuro (Pop/Rock), Mikel Erentxun (Pop/Rock) and the now extinct but influential groups Sentimiento Muerto (es:Sentimiento Muerto) (Post-punk), Zapato 3 (es:Zapato 3) (Pop/Rock), and Dermis Tatú (es:Dermis Tatú) (Rock).
In the late 90s a very strong electronic music movement spread through the country. Several big multimedia festivals took place, such as "Caracas No Duerme," "AX," "Petaquire," and "Mare Nostrum." These events combined music with the video and performance art of Venezuelan artists such as Luis Poleo, Frank Wow, and Sony. The main bands/DJ's of this era are Ojo Fatuo, DJ Oddo and DJ Wyz.
From 2000 until present, a lot of Venezuelan artists have made a strong movement into different underground music styles. The most significant ones are: Masseratti 2lts (Downtempo), La Vida Boheme (Post-Punk), Viniloversus (Indie rock), KP-9000 (Trip hop), Cardopusher (Breakcore), Nuuro (IDM), Patafunk (Tropical/Funk), FamasLoop (trip-hop/electronica), Todosantos (Nu Rave/Indietronica), Jimmy Flamante (Breakbeat), Las Americas (Shoegaze), Dondi (Drum and Bass/Downtempo), Retrovértigo (Post-rock), Lis (Instrumental rock), Tercer Cuarto (Metal Alternativo), Panasuyo (Neo-folcklore), Pacheko (Dubstep), Dame Pa' Matala (Reggaeton/Hip Hop) and Los Javelin (Surf-rock/Rockabilly).
Venezuela has also produced classical composers such as: Reynaldo Hahn, Teresa Carreño (who was also a world-renowned pianist), Antonio Lauro, Antonio Estevez, Evencio Castellanos, Prudencio Esaa, Moisés Moleiro, Gustavo Dudamel, Alfredo Rugeles and Eduardo Marturet (who are primarily international conductors), Antonio Estévez, Federico Ruiz (who also works with other genres) and Vicente Emilio Sojo (known for his contributions to Venezuelan musicology and music education). Roberto Ruscitti followed in their footsteps.
Venezuela also houses a national network of public conservatories and music schools; there are also private music schools and institutions. Institutes of higher learning that specialize in music or have a music department include Universidad de las Artes, whose music department is the former Instituto Universitario de Estudios Musicales; Universidad Central de Venezuela, which gives diplomas in music performance and postgraduate degrees in musicology, including doctorates; Universidad Simón Bolívar, whose music department awards Master of Music degrees in several areas including composition, conducting, and music education; and Universidad de los Andes. Prominent composers and musicians who have taught, founded, teached or studied in these institutions include María Guinand (who was one of the founders of the Master of Music program of Universidad Simón Bolívar), Diana Arismendi, Ricardo Teruel, Inocente Carreno, Adina Izarra, Maurice Hasson, Pedro Eustache, David Ascanio, Josefina Benedetti, Alfredo Rugeles, Humberto Bruni Lamanna, Abraham Abreu, Aquiles Baez, Pablo Gil, Carlos Duarte and Sylvia Constantinidis.
Venezuela also has El Sistema, a publicly financed voluntary sector music education program founded by Jose Antonio Abreu. The country's symphony orchestras include the Venezuela Symphony Orchestra, Maracaibo Symphony Orchestra, Municipal Symphony Orchestra, Mérida State Symphony Orchestra, and the Orquesta Sinfónica Simón Bolívar.
Juana Maria de la Concepcion, commonly referred to as Conny Méndez, born 11 April 1898 in Caracas, was a composer, singer, writer, caricaturist and actress who produced more than 40 compositions, such as: Yo soy venezolana, Chucho y Ceferina, La Negrita Marisol, Venezuela Habla Cantando, and many others.
Rubén Cedeño, composer of folk and infantile music of Venezuela, he appears in the Venezuelan music encyclopedia.1 Singer, composer, investigator, painter and writer. His most recognized works are: The Aguinaldo Que Navidad part of the Venezuelan Christmas repertoire and interpreted by the mezzosoprano Morella Muñoz, Cantata infantil Simón Bolívar, Misa de Mi Tierra among others. It was National Prize of popular music of the INAVI with his valse Nora. The hymn Hail to the Statue of Liberty, received the congratulation of President Ronald Reagan.
Antonio Lauro composed a large body of classical guitar works, adapting traditional Venezuelan folk songs for the instrument.
Gustavo Matamoros is a renowned Venezuelan composer dedicated to the experimentation with sound and its relationship with the human mind and culture. He has worked mainly with contemporary techiques such as electroacoustics, mixed media, performance, installations, radiophony and multimedia spectacles. He resides in the US.
Other Venezuelan musicians of note are: Graciela Naranjo, Cheo Hurtado, Hernán Gamboa, Gualberto Ibarreto, Rudy Regalado, Vytas Brenner, Yordano, Juan Carlos Salazar, Huáscar Barradas, Billo Frómeta, Cecilia Todd, Soledad Bravo, Vidal Colmenares, María Teresa Chacín, Luis Gómez-Imbert, Maurice Hasson, Italo Pizzolante, Simón Diaz, Alí Primera, Jose Luis Rodriguez (El Puma), Chino & Nacho, and Luis Silva as well as the groups Serenata Guayanesa, Guaco, Ensamble Gurrufio, Los Chamos, Unicornio, Las Cuatro Monedas, Los Guaraguao, Malegua, Dimension Latina, Los Adolescentes and many others.
- Opera in Venezuela
- Nueva canción#Venezuela
- Alí Primera
- Venezuelan work songs
- Listen llanero music of Venezuela
- Peñín, José y Walter Guido. Enciclopedia de la Música en Venezuela, Tomo I. Caracas. Fundación Bigott. ISBN 980-642-803-X
- Rosenberg, Dan and Phil Sweeney. Salsa con Gasolina. 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 624–630. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0
- (French) Audio clips: Traditional music of Venezuela. Musée d'Ethnographie de Genève. Accessed November 25, 2010.
- BBC Radio 3 Audio (60 minutes): Afro-Venezuelan music of the coast. Accessed November 25, 2010.
- BBC Radio 3 Audio (60 minutes): Harp playing cowboys of the central plains. Accessed November 25, 2010.
- Llanera Music