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A prostration (Pali: panipāta, Skt.: namas-kara, Ch.: li-pai, Jp.: raihai) is a gesture used in Buddhist practice to show reverence to the Triple Gem (comprising the Buddha, his teachings, and the spiritual community) and other objects of veneration.
Among Buddhists prostration is believed to be beneficial for practitioners for several reasons, including:
- an experience of giving or veneration
- an act to purify defilements, especially conceit
- a preparatory act for meditation
- an act that accumulates merit (see karma)
Prostrations may also be subsumed within sadhana repetitions of various vinyasa forms of yogic discipline, such as Trul Khor, e.g. Importantly, vinyasa forms were directly influenced from Buddhist 'impermanence' (anitya) as was the language of Patanjali's Yoga Sutras informed by Buddhist discourse.
In the Pali canon, laypersons prostrating before the then-living Buddha is mentioned in several suttas.3 In Theravada Buddhism, as part of daily practice, one typically prostrates before and after chanting and meditation. On these occasions, one does typically prostrates three times: once to the Buddha, once to the Dhamma, and once to the Sangha. More generally, one can also prostrate before "any sacred object of veneration."4
Theravada Buddhists execute a type of prostration that is known as "five-point veneration" (Pali: patitthitapanca) or the "five-limbed prostration" (Pali: pañc'anga-vandana) where the two palms and elbows, two sets of toes and knees, and the forehead are placed on the floor.5 More specifically:
... In the kneeling position, one's hand in añjali [palms together, fingers flat out and pointed upward] are raised to the forehead and then lowered to the floor so that the whole forearm to the elbow is on the ground, the elbow touching the knee. The hands, palm down, are four to six inches apart with just enough room for the forehead to be brought to the ground between them. Feet are still as for the kneeling position and the knees are about a foot apart....6
Araham samma-sambuddho bhagava
|The Noble One, the fully Enlightened One, the Exalted One,
I bow low before the Exalted Buddha.
Svakkhato bhagavata dhammo
|The Exalted One's well-expounded Dhamma
I bow low before the Dhamma.
Supatipanno bhagavato savakasangho
|The Exalted One's Sangha of well-practiced disciples
I bow low before the Sangha.
In Theravadin countries such as Sri Lanka, when one goes before one's teacher, in order to "open one's mind up to receive instructions," one bows and recites the phrase, "Okāsa ahaṃ bhante vandāmi" ("I pay homage to you venerable sir").7
Roshi Philip Kapleau writes:
Zen master Phillip Kapleau recounts his first stay in "a real Zen monastery":
In Vajrayana Buddhism, prostrations are often performed before meditation or teachings, but can form a separate practice by itself. Prostrations are seen as a means of purifying ones body, speech and mind of karmic defilements, especially pride.13 Prostrations are used in tandem with visualization and can be used to express reverence to Guru Rinpoche14 and others.
For example, in the context of offering homage to Guru Rinpoche, prostrations are to be performed as follows:
...Bring your hands together in the 'lotus bud' mudra (the base of the palm and the fingertips together, and thumbs slightly tucked in) and place them on the crown of the head, then to the throat and heart. As you place your hands on your crown, you offer homage to Guru Rinpoche's enlightened body, purify defilements and obscurations incurred through the avenue of your body, and establish the potential to realize nirmanakaya. At your throat, you offer homage to his enlightened speech, and establish the potential to realized sambhogakaya. Bringing your hands to your heart, you offer homage to his enlightened mind, purify your mind's obscurations, and establish the potential to realize dharmakaya.
The actual prostration is performed by dropping the body forward and stretching it full length on the floor, the arms outstretched in front.... Again, with hands in the lotus bud mudra, bend your arms back and touch your hands to the top of your head, a gesture that acknowledges the blessing flowing from Guru Rinpoche. Then stretch your arms out once more and push yourself up.... Bring your hands into the lotus bud mudra for the third time and touch your heart in a gesture of reverence. Then, with a smooth motion, bring your hands to your crown and perform the next prostration....15
This form of prostration is used with enlightened beings other than Guru Rinpoche as well.
Prostrations done in large numbers (like 100,000) can be part of the preliminary practices to the practice of tantra. Other practices like this can be reciting the Refuge prayer, mandala offerings, Vajrasattva mantras and other practices called ngöndro.
- See, for instance, Tromge (1995), pp. 87-96.
- See, for example, Aitken (1982), pp. 29-31, where he discusses such rituals as having a twofold purpose: "First, ritual helps to deepen our religious spirit and to extend its vigor to our lives. Second, ritual is an opening for the experience of forgetting the self as the words or the actions become one with you, and there is nothing else." (p. 29).
- Khantipalo (1982). In addition to making this general statement, Khantipalo quotes an example of lay people prostrating before the Buddha from the Kalama Sutta (AN 3.65).
- Indaratana (2002), p. v.
- Indaratana (2002), p. v. Khantipalo (1982).
- Khantipalo (1982).
- Bhikkhu Bodhi (2006), Sn 2.9 Kiṃsīla Sutta — Right Conduct (lecture) at time 25:20, available as "Sn032" (mp3) from "Bodhi Monastery" at http://www.bodhimonastery.net/bm/about-buddhism/audio/903-audio/84-sutta-nipata.html. Before a nun (as opposed to a monk), one would presumably use ayye instead of bhante.
- Aitken (2002). See a similar statement in Aitken (1982), p. 30.
- Here Kapleau is referencing a letter by 14th-century Rinzai Zen master Bassui Tokushō to a layman: "As for the practice of bowing down before the Buddhas, this is merely a way of horizontalizing the mast of ego in order to realize the Buddha-nature" (Kapleau, 1989a, pp. 182-183).
- Kapleau (1989a), p. 21.
- Kapleau (1989b), p. 192.
- Kapleau (1989b), p. 191.
- Tromge (1995), p. 87.
- Tromge (1995), pp. 88-9.
- Tromge (1995), pp. 94-5.
- Tromge (1995), p. 95.
- Aitken, Robert (1982). Taking the Path of Zen. NY:North Point Press. ISBN 0-86547-080-4.
- Aitken, Robert (2002). "Formal Practice: Buddhist or Christian" in Buddhist-Christian Studies (2002), Vol. 22, pp. 63-76. Available on-line at: http://www.thezensite.com/ZenEssays/Miscellaneous/FormalPractice.htm
- Indaratana Maha Thera, Elgiriye (2002). Vandana: The Album of Pali Devotional Chanting and Hymns. Penang, Malaysia:Mahindarama Dhamma Publication. Available on-line at: http://www.buddhanet.net/pdf_file/vandana02.pdf.
- Kapleau, Phillip (1989a). The Three Pillars of Zen: Teaching, Practice and Enlightenment. NY: Anchor Books. ISBN 0-385-26093-8.
- Kapleau, Philip (1989b). Zen: Merging of East and West. NY:Anchor Book. ISBN 0-385-26104-7.
- Khantipalo, Bhikkhu (1982). Lay Buddhist Practice: The Shrine Room, Uposatha Day, Rains Residence (The Wheel No. 206/207). Kandy, Sri Lanka:Buddhist Publication Society. Also transcribed (1995) and available on-line at: http://www.accesstoinsight.org/lib/authors/khantipalo/wheel206.html.
- Tromge, Jane (1995). Ngondro Commentary: Instructions for the Concise Preliminary Practices of the New Treasure of Dudjom / compiled from the teachings of His Eminence Chagdud Tulku. Junction City, CA:Padma Publishing. ISBN 1-881847-06-3.
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