Robert W. Chambers
|Robert William Chambers|
May 26, 1865|
Brooklyn, New York, U.S.
|Died||December 16, 1933
New York City, New York, U.S.
|Occupation||Novel & short story author|
|Genres||Horror, Fantasy, Science fiction, Romance, Historical fiction|
He was born in Brooklyn, New York, to William P. Chambers (1827–1911), a famous lawyer, and Caroline (Boughton) Chambers, a direct descendant of Roger Williams, the founder of Providence, Rhode Island. Robert's brother was Walter Boughton Chambers, the world famous architect.
Robert was first educated at the Brooklyn Polytechnic Institute,and then entered the Art Students' League at around the age of twenty, where the artist Charles Dana Gibson was his fellow student. Chambers studied at the École des Beaux-Arts, and at Académie Julian, in Paris from 1886 to 1893, and his work was displayed at the Salon as early as 1889. On his return to New York, he succeeded in selling his illustrations to Life, Truth, and Vogue magazines. Then, for reasons unclear, he devoted his time to writing, producing his first novel, In the Quarter (written in 1887 in Munich). His most famous, and perhaps most meritorious, effort is The King in Yellow, an 1895 collection of weird short stories, connected by the theme of the fictitious drama The King in Yellow, which drives those who read it insane.1 E. F. Bleiler described The King in Yellow as one of the most important works of American supernatural fiction.2 It was also strongly admired by H.P. Lovecraft and his circle.
Chambers returned to the weird genre in his later short story collections The Maker of Moons and The Tree of Heaven, but neither earned him such success as The King in Yellow. Some of Chambers's work contains elements of science fiction, such as In Search of the Unknown and Police!!!, about a zoologist who encounters monsters.3
Chambers later turned to writing romantic fiction to earn a living. According to some estimates, Chambers was one of the most successful literary careers of his period, his later novels selling well and a handful achieving best-seller status. Many of his works were also serialized in magazines.
During World War I he wrote war adventure novels, and war stories. Some of these showed a strong return to his old weird style, such as "Marooned" in Barbarians (1917). After 1924 he devoted himself solely to writing historical fiction.
Chambers for several years made Broadalbin, New York his summer home. Some of his novels touch upon colonial life in Broadalbin and Johnstown.
Robert W. Chambers died at 1:00 AM, Saturday, December 16, 1933 in Doctor's Hospital, No 170 East End Avenue, New York City after having undergone intestinal surgery three days earlier.
- "Chambers is like Rupert Hughes and a few other fallen Titans – equipped with the right brains and education but wholly out of the habit of using them."4
Despite his effective later abandonment of the weird supernatural tale, Chambers's early works heavily influenced Lovecraft's tales.
Frederic Taber Cooper commented,
- "So much of Mr Chambers's work exasperates, because we feel that he might so easily have made it better."5
A critical essay on Chambers's horror and fantasy work appears in S. T. Joshi's book The Evolution of the Weird Tale (2004).
Chambers' novel The Tracer of Lost Persons was adapted into a long-running (1937–54) old-time radio crime drama, Mr. Keen, Tracer of Lost Persons, by legendary soap opera producers Frank and Anne Hummert.6
Chambers' The King in Yellow has inspired many modern authors, including Karl Edward Wagner, Joseph S. Pulver, Lin Carter, James Blish, Michael Cisco, Ann K. Schwader, Robert M. Price and Galad Elflandsson.
After emerging as a writer in the New Masses magazine, Whittaker Chambers faced confusion as Robert W. Chambers' son from Max Bedacht, the Communist Party official who summoned him into the Communist underground:
Max Bedacht had somehow convinced himself that I was the son of Robert W. Chambers, the novelist. No doubt, the same surname and the fact that we both wrote (though for somewhat different markets) made kinship seem self-evident to him. When the novelist died, shortly after I came to know Bedacht, he congratulated me on coming into a fat legacy, which I believe he thought was about to be swept into the party's till. When I tried to undeceive him, his disappointment was so great that at first he insisted that I was covering up, and I had some trouble convincing him that Robert W. Chambers and Whittaker Chambers were really unrelated.7
|Wikisource has original works written by or about:
- In the Quarter (1894)
- The King in Yellow (1895)
- The Red Republic (1895)
- The Maker of Moons (1896)
- A King and A Few Dukes (1896)
- With the Band (1896)
- The Mystery of Choice (1897)
- Lorraine (1898)
- Ashes of Empire (1898)
- The Haunts of Men (1898)
- Outsiders (1899)
- The Cambric Mask (1899)
- The Conspirators (1899)
- Cardigan (1901)
- The Maid-at-Arms (1902)
- The Maids of Paradise (1903)
- In Search of the Unknown (1904)
- A Young Man In a Hurry (1904)
- The Reckoning (1905)
- Iole (1905)
- The Tracer of Lost Persons (1906)
- The Fighting Chance (1906)
- The Tree of Heaven (1907)
- The Younger Set (1907)
- Some Ladies in Haste (1908)
- The Firing Line (1908)
- Special Messenger (1909)
- The Danger Mark (1909)
- The Green Mouse (1910)
- Ailsa Paige (1910)
- The Common Law (1911)
- The Adventures of a Modest Man (1911)
- Blue-Bird Weather (1912)
- The Streets of Ascalon (1912)
- The Japonette (1912)
- The Gay Rebellion (1913)
- The Business of Life (1913)
- Quick Action (1914)
- The Hidden Children (1914)
- Anne's Bridge (1914)
- Between Friends (1914)
- Who goes There! (1915)
- Athalie (1915)
- Police!!! (1915)
- The Girl Philippa (1916)
- The Better Man (1916)
- The Dark Star (1917)
- The Barbarians (1917)
- The Laughing Girl (1918)
- The Restless Sex (1918)
- The Moonlit Way (1919)
- In Secret (1919)
- The Crimson Tide (1919)
- A Story of Primitive Love (1920)
- The Slayer of Souls (1920)
- The Little Red Foot (1920)
- The Flaming Jewel (1922)
- The Talkers (1923)
- Eris (1923)
- The Hi-Jackers (1923)
- America; or, The Sacrifice (1924)
- The Mystery Lady (1925)
- Marie Halkett (1925)
- The Man They Hanged (1926)
- The Drums of Aulone (1927)
- The Sun Hawk (1928)
- The Rogue's Moon (1928)
- The Happy Parrot (1929)
- The Painted Minx (1930)
- The Rake and the Hussy (1930)
- War Paint and Rouge (1931)
- Gitana (1931)
- Whistling Cat (1932)
- Whatever Love Is (1933)
- Secret Service Operator 13 (1934) Copyrighted by Elsie M. Chambers
- The Young Man's Girl (1934) Copyrighted by Elsie M. Chambers
- The Gold Chase (1935) Copyrighted by Elsie M. Chambers
- Love and the Lieutenant (1935) Copyrighted by Elsie M. Chambers
- Beating Wings (1936) Copyrighted by Elsie M. Chambers
- The Girl In Golden Rags (1936) Copyrighted by Elsie M. Chambers
- The Fifth Horseman (1937) Copyrighted by Elsie M. Chambers
- Marie Halkett (1937) Reprint. Copyrighted by Elsie M. Chambers
- Smoke of Battle (1938) Copyrighted by Elsie M. Chambers; this novel was possibly finished by Rupert Hughes.
- Outdoorland (1902) Illustrated by Reginald Bathurst Birch
- Orchard-Land (1903) Illustrated by Reginald Bathurst Birch
- River-Land (1904) Illustrated by Elizabeth S. Green
- Forest-Land (1905) Illustrated by Emily Benson Knipe
- Mountain-Land (1906) Illustrated by Frederick Richardson & Walter King Stone
- Garden-Land (1907) Illustrated by Harrison Cady
- The Hastur Cycle, edited by Robert M. Price, Chaosium 1993
- The Yellow Sign and Other Stories, edited by S.T. Joshi, Chaosium 2004
- Brian Stableford, "The King in Yellow" in Frank N. Magill, ed. Survey of Modern Fantasy Literature, Vol 2. Englewood Cliffs, NJ: Salem Press, Inc., 1983. pp. 844-847.
- Quoted in "Chambers, Robert W(illiam)" by T. E. D. Klein, The Penguin Encyclopedia of Horror and the Supernatural, Penguin, 1986 (p. 74-6).
- Bleiler, Everett Franklin and Bleiler,Richard. Science-Fiction: The Early Years. Kent State University Press, 1990.(p. 129-132).
- Lovecraft, Selected Letters vol. 2, ed. August Derleth and Donald Wandrei (Arkham House, 1968), p. 148.
- Cooper, Some American Story Tellers (Henry Holt, 1911), p.81. Quoted in Joshi, The Evolution of the Weird Tale, p.18.
- Cox, Jim (May 2004). Mr. Keen, Tracer of Lost Persons: A Complete History and Episode Log of Radio's Most Durable Detective. Jefferson, North Carolina: McFarland & Company. ISBN 0-7864-1738-2.
- Whittaker (1952). Witness. New York: Random House. p. 275.
- Bleiler, Everett (1948). The Checklist of Fantastic Literature. Chicago: Shasta Publishers. pp. 74–75.
|Wikimedia Commons has media related to: Robert W. Chambers|
- Robert W. Chambers at the Internet Speculative Fiction Database
- Works by Robert W. Chambers at Project Gutenberg
- Robert W. Chambers' Works, Internet Archive