Santa Maria sopra Minerva
|Basilica di Santa Maria sopra Minerva
Basilica of Saint Mary above Minerva (English)
Basilica Sanctae Mariae supra Minervam (Latin)
Santa Maria sopra Minerva façade by Carlo Maderno
|Ecclesiastical or organizational status||Minor basilica|
|Architect(s)||Fra Sisto Fiorentino, Fra Ristoro da Campi, Carlo Maderno|
|Direction of façade||W|
|Length||101 m (331 ft)|
|Width||41 m (135 ft)|
|Width (nave)||15 m (49 ft)|
Santa Maria sopra Minerva (English: Saint Mary above Minerva, Latin: Sancta Maria supra Minervam) is one of the major churches of the Roman Catholic Order of Preachers, better known as the Dominicans. The church's name derives from the fact that the first Christian church structure on the site was built directly over (Latin: supra) the ruins or foundations of a temple dedicated to the Egyptian goddess Isis, which had been erroneously ascribed to the Greco-Roman goddess Minerva.1
The church is located in the Piazza della Minerva one block behind the Pantheon in the Pigna rione of Rome, Italy, within the ancient district known as the Campus Martius. The present church and disposition of surrounding structures is visible a detail from the Nolli Map of 1748.
The Minerva has been a titular church since 1557 and a minor basilica since 1566. The church's first titular cardinal was Michele Ghislieri who would become Pope Pius V in 1566 and raise the church to the level of minor basilica that same year. The current Cardinal Priest of the Titulus Sanctae Mariae supra Minervam has been Cormac Murphy-O'Connor since 2001, when he was Archbishop of Westminster, the senior position in the English Catholic church, from which he has since retired.
The church and adjoining convent served at various times throughout its history as the Dominican Order's headquarters. Today the headquarters have been re-established in their original location at the Roman convent of Santa Sabina.
While many other medieval churches in Rome have been given Baroque makeovers that cover Gothic structures, the Minerva is the only extant example of original Gothic church building in Rome.2 Behind a restrained Renaissance style façade3 the Gothic interior features arched vaulting that was painted blue with gilded stars and trimmed with brilliant red ribbing in a 19th-century Neo-Gothic restoration.
Among several important works of art in the church are Michelangelo's statue Cristo della Minerva (1521) and the late 15th-century (1488–1493) cycle of frescos in the Carafa Chapel by Filippino Lippi. The basilica also houses many funerary monuments including the tombs of Doctor of the Church Saint Catherine of Siena (1347-1380), who was a member of the Third Order of Saint Dominic, and the Dominican friar Blessed John of Fiesole (Fra Giovanni da Fiesole, born Guido di Piero) better known as Fra Angelico (c. 1395-1455).
- 1 History
- 2 Interior
- 3 Burials
- 4 List of cardinal-priests from Santa Maria sopra Minerva
- 5 Other churches with this name
- 6 Cultural references
- 7 Gallery
- 8 See also
- 9 Notes
- 10 Bibliography
- 11 External links
In Roman times there were three temples in what is now the area surrounding the basilica and former convent buildings: the Minervium, built by Gnaeus Pompey in honour of the goddess Minerva about 50 BC, referred to as Delubrum Minervae; the Iseum dedicated to Isis, and the Serapeum dedicated to Serapis.4 Details of the temple to Minerva are not known but recent investigations indicate that a small round Minervium once stood a little further to east on the Piazza of the Collegio Romano.1 In 1665 an Egyptian obelisk was found, buried in the garden of the Dominican cloister adjacent to the church. Several other small obelisks were found at different times near the church, known as the Obelisci Isei Campensis, which were probably brought to Rome during the 1st century and grouped in pairs, with others, at the entrances of the temple of Isis.5 There are other Roman survivals in the crypt.
The ruined temple is likely to have lasted until the reign of Pope Zachary (741-752), who finally Christianized the site, offering it to Basilian nuns from Constantinople who maintained an oratorio there dedicated to the "Virgin of Minervum.".6 The structure he commissioned has disappeared.
In 1255 Pope Alexander IV established a community of converted women on the site. A decade later this community was transferred to the Roman Church of San Pancrazio thereby allowing the Dominicans to establish a convent of friars and a studium conventuale there. The Friars were on site beginning in 1266 but took official possession of the Church in 1275. Aldobrandino Cavalcanti (+1279), “vicarius Urbis” or vicar for Pope Gregory X, and an associate of Thomas Aquinas ratified the donation of Santa Maria sopra Minerva to the Dominicans of Santa Sabina by the sisters of S. Maria in Campo Marzio.7 The ensemble of buildings that formed around the church and convent came to be known as the 'insula sapientae" or "insula dominicana' (island of wisdom or Dominican island).8
The Dominicans began building the present Gothic church in 1280 modelling it on their church in Florence Santa Maria Novella. Architectural plans were probably drawn up during the pontificate of Nicholas III by two Dominican friars, Fra Sisto Fiorentino and Fra Ristoro da Campi.1 With the help of funds contributed by Boniface VIII and the faithful the side aisles were completed in the 14th century.
In 1453 church interior construction was finally completed when Cardinal Juan Torquemada ordered that the main nave be covered by a vault that reduced the overall projected height of the church.3 In the same year of 1453 Count Francesco Orsini sponsored the construction of the façade at his own expense. However work on the façade remained incomplete until 1725 when it was finally finished by order of Pope Benedict XIII.8
In the 16th century Giuliano da Sangallo made changes in the choir area and in 1600 Carlo Maderno enlarged the apse, added Baroque decorations and created the present façade with its pilastered tripartite division in Renaissance style.3
Marks on this façade dating back to the 16th and 17th centuries indicate various flood levels of the Tiber 65 feet (20 metres).
Between 1848 and 1855 Girolamo Bianchedi directed an important program of restoration when most of the Baroque additions were removed and the blank walls were covered with neo-gothic frescos giving the interior the Neo-Gothic appearance that it has today.
The basilica's stained glass windows are mostly from the 19th century.
In 1909 the great organ was constructed by the renowned firm of Carlo Vegezzi Bossi. The organ was restored in 1999.
In 1288 the theology component of the provincial curriculum for the education of the friars was relocated from the studium provinciale at the Roman basilica of Santa Sabina to the studium conventuale at Santa Maria sopra Minerva which was redesignated as a studium particularis theologiae.9 At various times in its history this studium served as a studium generale for the Roman province of the Order.
The late 16th century saw the studium at Santa Maria sopra Minerva undergo transformation. Thomas Aquinas, who had been canonized in 1323 by Pope John XXII, was proclaimed the fifth Latin Doctor of the Church by Pius V in 1567. To honor this great doctor, in 1577 the Spanish Dominican Msgr. Juan Solano, O.P., former bishop of Cusco, Peru, generously funded the reorganization of the studium at the convent of Santa Maria Sopra Minerva on the model of the College of St. Gregory at Valladolid in his native Spain.|location=Rome10 The result of Solano's initiative, which underwent structural change shortly before Solano's death in 1580, was the College of Saint Thomas (Latin: Collegium Divi Thomae) at Santa Maria sopra Minerva, the future Pontifical University of Saint Thomas Aquinas (Angelicum). The college occupied several existing convent structures and new construction was required. At that time the convent underwent considerable reconstruction to accommodate the college and the cloister was redesigned so that side chapels could be added to the church's northern flank. A detail from the Nolli Map of 1748 gives some idea of the disposition of buildings when the Minerva convent housed the College of St. Thomas.
On 14 September 1628, by papal decree, the convent of Minerva was designated as the seat of the Congregation of the Holy Office. It thus became the place where the tribunal of the Roman Inquisition set up by Paul III in 1542 held the Secret Congregation meetings during which the sentences were read out.11 It was in a room of the Minerva Convent on 22 June 1633 that the father of modern astronomy Galileo Galilei, after being tried for heresy, abjured his scientific theses in favour of the Copernican theory.11
In the late 18th and early 19th century the suppression of religious orders hampered the mission of the Order and the College of St. Thomas. During the French occupation of Rome from 1797 to 1814 the College declined and even briefly closed its doors from 1810 to 1815.12 The Order gained control of the convent once again in 1815 only to be expropriated by the Italian government in 1870.
In 1873 the Collegium Divi Thomæ de Urbe was forced to leave the Minerva for good eventually being relocated at the convent of Saints Dominic and Sixtus in 1932 and being transformed into the Pontifical University of Saint Thomas Aquinas, Angelicum in 1963.
The Dominicans eventually were allowed to return to the Minerva and part of the convent.
In front of the church there is one of the most curious monuments of Rome, the so-called Pulcino della Minerva. It is a statue designed by the Baroque era sculptor Gian Lorenzo Bernini (and carried out by his pupil Ercole Ferrata in 1667) of an elephant as the supporting base for the Egyptian obelisk found in the Dominicans' garden. It is the shortest of the eleven Egyptian obelisks in Rome and is said to have been one of two obelisks moved from Sais, where they were built during the 589 BC-570 BC reign of the pharaoh Apries, from the Twenty-sixth dynasty of Egypt. The two obelisks were brought to Rome by Diocletian, during his reign as emperor from 284 to 305, for placement at the Temple of Isis, which stood nearby. The Latin inscription on the base, chosen by the pope who commissioned the sculpture to support the obelisk found on the site, Alexander VII, is said to represent that "...a strong mind is needed to support a solid knowledge".
The inspiration for the unusual composition came from Hypnerotomachia Poliphili ("Poliphilo's Dream of the Strife of Love"), an unusual 15th century novel probably by Francesco Colonna. The novel's main character meets an elephant made of stone carrying an obelisk, and the accompanying woodcut illustration in the book is quite similar to Bernini's design for the base for the obelisk. The curious placement of the obelisk through the body of the elephant is identical.
The sturdy appearance of the structure earned it the popular nickname of "Porcino" ("Piggy") for a while. The name for the structure eventually changed to Pulcino, the Italian for a small or little "chick". This may have been a reference to the comparatively short height of the obelisk or, an obscure reference to the major charity of the Dominicans to assist young women needing dowries, who made a procession in the courtyard every year. The latter were once depicted in a local painting as three tiny figures with the Virgin Mary presenting purses to them.
The Carafa Chapel, with late 15th-century frescoes (1488–1493) by Filippino Lippi, was commissioned by Cardinal Oliviero Carafa in honour of Saint Thomas Aquinas. There are two Marian scenes, the Annunciation and the Assumption; over the altar is his St Thomas presenting Cardinal Carafa to the Blessed Virgin, and on the right-hand wall his Glory of St Thomas. It was inaugurated in 1493, and is also known as the Chapel of St Thomas Aquinas. The relics of St Thomas Aquinas were kept in this chapel until 1511, when they were moved to Naples. Designed by Pirro Ligorio in 1559, the tomb of Gian Pietro Carafa, who became Pope Paul IV in 1555, is also in the chapel.
The Aldobrandini chapel was designed by Giacomo della Porta but it is Carlo Maderno that completed della Porta's project (after 1602). It was consecrated in 1611. The canvas depicting the Institution of the Eucharist and dated from 1594 is by Federico Fiori. The monument to the parents of Pope Clement VIII, Salvestro Aldobrandini and Luisa Dati, is by Giacomo della Porta. The first Blessed Sacrament Confraternity to be approved by the Holy See was established in this chapel, with St. Ignatius of Loyola as one of its earliest members.
- Annunciation (1485), by Antoniazzo Romano - shows Cardinal Juan de Torquemada OP presenting girls who received a dowry by his Guild of the Annunciation to the Virgin. The cardinal is buried nearby.
- The tombs of the Popes Leo X and Clement VII by Antonio da Sangallo the Younger.
- Tomb of Urban VII
- Tomb of Fra Angelico, by Isaia da Pisa (1455)
- Tomb of Guillaume Durand the Elder, bishop on Mende, signed by Giovanni di Cosma (1296)
- Memorial to Maria Raggi, by Gian Lorenzo Bernini (between 1647–53)
- Tomb of Francesco Tornabuoni (1480), one of the best works by Mino da Fiesole
Saint Catherine of Siena is buried here (except her head, which is in the Basilica of San Domenico in Siena). Beyond the sacristy, the room where she died in 1380 was reconstructed here by Antonio Barberini in 1637. This room is the first transplanted interior, and the progenitor of familiar 19th and 20th century museum "period rooms." The frescoes by Antoniazzo Romano that decorated the original walls, however, are now lost.
The famous early Renaissance painter Fra Angelico died in the adjoining convent and was buried in the church. Popes Urban VII, Paul IV and the Medici popes Leo X and Clement VII were also buried in the church.
Before the construction of San Giovanni dei Fiorentini, the Minerva was the church in Rome of the Florentines, and therefore it contains numerous tombs of prelates, nobles and citizens coming from that Tuscan city. Curiously, Diotisalvi Neroni, a refugee who had taken part in the plot against Piero de' Medici, was buried here in 1482, and was later joined by other members of the family.
Also buried here are the 13th-century canonist Guillaume Durand, the Cardinal-nephew of Pope Nicholas III Latino Malabranca Orsini, Michel Mazarin (Archbishop of Aix) who was the brother of Cardinal Jules Mazarin, the Byzantine philosopher George of Trebizond, and two Renaissance theorists and practitioners, Filarete in architecture and Mariano Santo in surgery.
- 1557–1566 Michele Ghisleri (later Pope Pius V)
- 1566–1589 Michele Bonelli
- 1589–1602 Girolamo Bernerio
- 1602–1608 François-Marie Thaurusi
- 1621–1639 Giulio Roma
- 1643–1654 Giambattista Altieri
- 1655–1679 Jean François Paul de Gondi
- 1679–1694 Philip Howard of Norfolk
- 1694–1699 José Saenz d'Aguirre
- 1701–1729 Louis Antoine de Noailles
- 1729–1730 Agostino Pipia
- 1730–1747 Philipp Ludwig von Sinzendorf
- 1747–1762 Daniele Delfino
- 1758–1770 Giuseppe Pozzobenelli
- 1770–1782 Scipione Borghese
- 1783–1787 Tommaso Maria Ghilini
- 1787–1800 Vincenzo Ranuzzi
- 1801–1814 Giulio Maria della Somaglia
- 1816–1822 Francesco Fontana
- 1829–1832 Benedetto Barberini
- 1832–1836 Giuseppe Maria Velzi
- 1838–1850 Antonio Francesco Orioli
- 1850–1854 Raffaele Fornari
- 1857–1860 Francesco Gaude
- 1861–1864 Gaetano Bedini
- 1868–1870 Matteo Eustachio Gonella
- 1875–1885 John McCloskey
- 1887–1894 Zeferino González y Díaz Tuñón
- 1895–1896 Egidio Mauri
- 1896–1909 Serafino Cretoni
- 1911–1918 John Murphy Farley
- 1919–1922 Teodoro Valfre di Bonzo
- 1922–1926 Stanislas Touchet
- 1926–1929 Giuseppe Gamba
- 1930–1938 Giulio Serafini
- 1939–1946 Eugène Tisserant
- 1946–1965 Clemente Micara
- 1967–1974 Antonio Samorè
- 1976–1977 Dino Staffa
- 1979–1998 Anastasio Ballestrero
- 2001–incumbent Cormac Murphy-O'Connor
The elephant and obelisk monument and the church of Santa Maria sopra Minerva feature in the novel 'The Tomb of Alexander' by Sean Hemingway. In the novel it is claimed that a secret passageway beneath the church leads to a chamber beneath the elephant monument which contains the body of Alexander the Great, placed there in the 17th century by Pope Alexander VII. This is entirely a work of fiction and the theory is unproven.
Memorial to Maria Raggi by Gian Lorenzo Bernini, 1647–1653
Tomb of Fra Angelico, by Isaia da Pisa, 1455
- Grundmann & Fürst 1998, pp. 96–97
- Unlike Naples or Palermo, Rome was never bombed in World War II, which in those cities led to some overnight "re-Gothification'. The Gothic Revival church of Sacro Cuore del Suffragio, built 1890-1917, is an anomaly inspired by the Duomo of Milan.
- "S. Maria sopra Minerva" (in Italian). Ministry of the Inerior. Retrieved 2013-03-12.
- "Official website of Santa Maria sopra Minerva" (in Italian). Retrieved 2009-03-15.
- Platner, Samuel Ball (1929), "Obeliscus Isei Campensis", A Topographical Dictionary of Ancient Rome, Oxford, pp. 368–369
- Masetti 1855, p. 2
- Bagliani, Agostino Paravicini. "Cavalcanti, Aldobrandino (Ildebrandinus)". Treccani.it- The Italian Encyclopedia (in Italian). Retrieved 2013-02-23.
- "EUROPEAN HERITAGE DAYS 2012 - "ITALY TREASURE OF EUROPE"" (in Italian). Ministry of Cultural Heritage and Activities and Tourism. 2012-09-29. Retrieved 2013-12-19.
- Mulchahey, Marian Michèle (1998). First the bow is bent in study": Dominican education before 1350. Pontifical Institute of Mediaeval Studies. p. 323. ISBN 9780888441324. Retrieved 2011-05-26.
- Longo O.P., Carlo (1996). "J. Solano O.P. (1505 c.-1580) e la fondazione del "collegium S, Thomae de Urbe (1577)". La formazione integrale domenicana al servizio della Chiesa e della società; atti del Congresso internazionale, Pontificia università S. Tommaso, Roma, 23-24 Novembre 1994 (in Italian). Edizioni Studio Domenicano. ISBN 9788870942460. Retrieved 2011-04-21.
- "Palazzo del Seminario (The Seminario Palace)". Chamber of Deputies. Retrieved 2013-12-19.
- Renz, Christopher J. (2009). In This Light Which Gives Light: A History of the College of St. Albert the Great (1930-1980). Dominican School. p. 43. ISBN 9781883734183. Retrieved 2011-04-24.
- "Temple of Minerva". Assisi On-line. Retrieved 2009-03-15.
- Grundmann, Stefan; Fürst, Ulrich (1998), The Architecture of Rome: an architectural history in 400 individual presentations, Stuttgart: Ed. Axel Menges, ISBN 3-930698-60-9
- Masetti, Pio Tommaso (1855), Memorie istoriche della chiesa di S. Maria sopra Minerva e de' suoi moderni restauri (in Italian), Rome: Tip. di B. Morini, OCLC 24239739
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