The Saturday Evening Post
|Publisher||Curtis Publishing Company|
|First issue||August 4, 1821 2|
|Company||Saturday Evening Post Society|
|Based in||Indianapolis, Indiana|
While the publication traces its historical roots to Benjamin Franklin, The Pennsylvania Gazette was first published in 1728 by Samuel Keimer. The following year (1729), Franklin acquired the Gazette from Keimer for a small sum and turned it into the largest circulation newspaper in all the colonies. It continued publication until 1800. The Saturday Evening Post was founded in 18212 and grew to become the most widely circulated weekly magazine in America. The magazine gained prominent status under the leadership of its longtime editor George Horace Lorimer (1899–1937).3
The Saturday Evening Post published current event articles, editorials, human interest pieces, humor, illustrations, a letter column, poetry (with contributions submitted by readers), single-panel gag cartoons (including Hazel by Ted Key) and stories by the leading writers of the time. It was known for commissioning lavish illustrations and original works of fiction. Illustrations were featured on the cover and embedded in stories and advertising. Some Post illustrations became popular and continue to be reproduced as posters or prints, especially those by Norman Rockwell.
Curtis Publishing Co. stopped publishing the Post in 1969 after the company lost a landmark defamation suit and was ordered to pay over $3 million in damages. The Post was revived in 1971 as a quarterly publication. As of the late 2000s, The Saturday Evening Post is published six times a year by the Saturday Evening Post Society, which purchased the magazine in 1982.
In 1916, Saturday Evening Post editor George Horace Lorimer discovered Norman Rockwell, then an unknown 22-year-old New York artist. Lorimer promptly purchased two illustrations from Rockwell, using them as covers, and commissioned three more drawings. Rockwell's illustrations of the American family and rural life of a bygone era became icons. During his 50-year career with the Post, Rockwell painted more than 300 covers.
The Post also employed Nebraska artist John Philip Falter, who became known "as a painter of Americana with an accent of the Middle West," who "brought out some of the homeliness and humor of Middle Western town life and home life." He produced 120 covers for the Post between 1943 and 1968, ceasing only when the magazine began displaying photographs on its covers. Another prominent artist was Charles R. Chickering, a freelance illustrator who went on to design numerous postage stamps for the U.S. Post Office. Other popular cover illustrators include the artists Constantin Alajalov,.4 John Clymer, W. H. D. Koerner, J. C. Leyendecker, Charles Archibald MacLellan, John E. Sheridan and N.C. Wyeth.
The magazine's line-up of cartoonists included Bob Barnes, Irwin Caplan, Tom Henderson, Al Johns, Clyde Lamb, Jerry Marcus, Frank O'Neal, B. Tobey, Pete Wyma and Bill Yates. The magazine ran Ted Key's cartoon panel series Hazel from 1943 to 1969.
Each issue featured several original short stories and often included an installment of a serial appearing in successive issues. Most of the fiction was written for mainstream tastes by popular writers, but some literary writers were featured. The opening pages of stories featured paintings by the leading magazine illustrators. The Post published stories and essays by H. E. Bates, Ray Bradbury, Kay Boyle, Agatha Christie, Brian Cleeve, William Faulkner, F. Scott Fitzgerald, C. S. Forester, Ernest Haycox, Robert A. Heinlein, Kurt Vonnegut, Paul Gallico, Normand Poirier, Hammond Innes, Louis L'Amour, Sinclair Lewis, Joseph C. Lincoln, John P. Marquand, Edgar Allan Poe, Sax Rohmer, William Saroyan, John Steinbeck and Rex Stout and Rob Wagner. It also published poetry by such noted poets as Carl Sandburg, Ogden Nash, Dorothy Parker and Hannah Kahn.
Emblematic of the Post's fiction was author Clarence Budington Kelland, who first appeared in 1916-17 with stories of homespun heroes, Efficiency Edgar and Scattergood Baines. Kelland was a steady presence from 1922 until 1961.
For many years William Hazlett Upson contributed a very popular series of short stories about the escapades of Earthworm Tractors salesman Alexander Botts. Publication in the Post launched careers and helped established artists and writers stay afloat. P. G. Wodehouse said "the wolf was always at the door" until the Post gave him his "first break" in 1915 by serializing Something New.6
After the election of Franklin Delano Roosevelt, Post columnist Garet Garrett became a vocal critic of the New Deal. Garrett accused the Roosevelt administration of initiating socialist strategies. After Lorimer died, Garrett became editorial writer-in-chief and criticized the Roosevelt administration's support of the United Kingdom and efforts to prepare to enter what became the Second World War. Garrett's positions aroused controversy and may have cost the Post readers and advertisers.
The Post readership began to decline in the late 1950s and 1960s. In general, the decline of general interest magazines was blamed on television, which competed for advertisers and readers' attention. The Post had problems retaining readers: the public's taste in fiction was changing, and the Post 's conservative politics and values appealed to a declining number of people. Content by popular writers became harder to obtain. Prominent authors drifted away to newer magazines offering more money and status. As a result, the Post published more articles on current events and cut costs by replacing illustrations with photographs for covers and advertisements.
The magazine's publisher, Curtis Publishing Company, lost a landmark defamation suit, Curtis Publishing Co. v. Butts 388 U.S. 130 (1967),7 resulting from an article, and was ordered to pay $3,060,000 in damages to the plaintiff. The Post article implied that football coaches Paul "Bear" Bryant and Wally Butts conspired to fix a game between the University of Alabama and the University of Georgia. Butts sued Curtis Publishing Co. for defamation. The case went to the Supreme Court, which held that libel damages may be recoverable (in this instance against a news organization) if the injured party is a non-public official. But the plaintiff must prove that the defendant was guilty of a reckless lack of professional standards when examining allegations for reasonable credibility.
In 1968, Martin Ackerman, a specialist in troubled firms, became president of Curtis after lending it $5 million. Although at first he said there were no plans to shut down the magazine, he halved its circulation in an attempt to increase the quality of the audience, and then shut it down.9 In announcing that the February 8, 1969, issue would be the magazine's last, Curtis executive Martin Ackerman stated that the magazine had lost $5 million in 1968 and would lose a projected $3 million in 1969.10 In a meeting with employees after the magazine's closure had been announced, Emerson thanked the staff for their professional work and promised "to stay here and see that everyone finds a job".11
At a March 1969 postmortem on the magazine's closing, Emerson stated that The Post "was a damn good vehicle for advertising" with competitive renewal rates and readership reports and expressed what The New York Times called "understandable bitterness" in wishing "that all the one-eyed critics will lose their other eye".12 Otto Friedrich, the magazine's last managing editor, blamed the death of The Post on Curtis. In his Decline and Fall (Harper & Row, 1970), an account of the magazine's final years (1962–69), he argued that corporate management was unimaginative and incompetent. Friedrich acknowledges that The Post faced challenges as the tastes of American readers changed over the course of the 1960s, but he insisted that the magazine maintained a standard of good quality and was appreciated by readers.
In 1970, control of the debilitated Curtis Publishing Company was acquired from the estate of Cyrus Curtis by Indianapolis industrialist Beurt SerVaas.13 SerVaas relaunched the Post the following year on a quarterly basis as a kind of nostalgia magazine.14
In early 1982, ownership of the Post was transferred to the Benjamin Franklin Literary and Medical Society, founded in 1976 by the Post's then-editor, Dr. Corena "Cory" SerVaas15 (wife of Beurt SerVaas).16 The magazine's core focus was now health and medicine; indeed, the magazine's website originally noted that the "credibility of The Saturday Evening Post has made it a valuable asset for reaching medical consumers and for helping medical researchers obtain family histories. In the magazine, national health surveys are taken to further current research on topics such as cancer, diabetes, high blood pressure, heart disease, ulcerative colitis, spina bifida, and bipolar disorder."17 Ownership of the magazine was later transferred to the Saturday Evening Post Society; Dr. SerVaas headed both organizations. The range of topics covered in the magazine's articles is now wide, suitable for a general readership.
By 1991, Curtis Publishing Company had been renamed Curtis International, a subsidiary of SerVaas Inc., and had become an importer of audiovisual equipment.18 Today the Post is published six times a year by the Saturday Evening Post Society, which claims 501(c)(3) non-profit organization status.
With the January/February 2013 issue, the Post launched a major makeover of the publication including a new cover design and efforts to increase the magazine's profile after several people thought it was no longer in existence.19 The magazine's new logo is an update of a logo it had used beginning in the 1930s.20
(from the purchase by Curtis, 1898)21
- William George Jordan (1898–1899)
- George Horace Lorimer (1899–1937)
- Wesley Winans Stout (1937–1942)
- Ben Hibbs (1942–1962)
- Robert Fuoss (1962)
- Robert Sherrod (1962)
- Clay Blair, Jr. (1962–1964)
- William Emerson (1965–1969)
- Beurt SerVaas (1971–1975)
- Cory SerVaas, M.D. (1975–2008)
- Joan SerVaas (2008–2009)
- Patrick Perry (2009)22
- Stephen C. George (2009–2010)
- Steven Slon (2012–present)2324
May 20, 1905. Illustrated by N. C. Wyeth
December 28, 1907. Cover by J. C. Leyendecker
April 16, 1910. Cover by Anton Otto Fischer
December 4, 1920 Cover by Norman Rockwell
June 4, 1921. Cover by Norman Rockwell
- Constantin Alajalov
- Cyrus Curtis
- John Philip Falter
- Anton Otto Fischer
- Garet Garrett
- Ladies' Home Journal
- J. C. Leyendecker
- Norman Rockwell
- John E. Sheridan (illustrator)
- Harry Simmons
- Edmund Ward
- "eCirc for Consumer Magazines". Alliance for Audited Media. December 31, 2012. Retrieved June 18, 2013.
- Saturday Evening Post, "On Our 190th Birthday, a Look at Our Earliest Issues."
- Tebbel, John. George Horace Lorimer and the Saturday Evening Post. Doubleday & Co., 1948.
- Denny, Diana (2011-12-30). "Classic Covers: Constantin Alajalov". The Saturday Evening Post. Retrieved 2013-05-23.
- "Jack London: First edition of The Call of the Wild in the Saturday Evening Post". manhattanrarebooks-literature.com. The Manhattan Rare Book Company. Retrieved February 9, 2010.
- "The Art of Fiction - P.G. Wodehouse" (pdf). The Paris Review. 2005 (reprint). p. 21. Archived from the original on 2008-05-29. Retrieved 2008-06-09.
- 388 U.S. 130 (1967)
- Applebome, Peter. "William A. Emerson Jr., Editor in Chief of Saturday Evening Post, Dies at 86", The New York Times, August 26, 2009. Accessed August 30, 2009.
- Lambert B. Martin Ackerman, 61, publisher; closed The Saturday Evening Post. New York Times. 1993-08-04.
- Bedingfield, Robert E. "February 8 Issue of Saturday Evening Post to Be Last", The New York Times, January 11, 1969. Accessed August 29, 2009.
- Carmody, Deirdre. "Magazine staff sais sad good-by; Post Secretaries Find a Rose on Desk to Mark the Day", The New York Times, January 11, 1969. Accessed August 29, 2009.
- Dougherty, Philip H. "Postmortem on Saturday Evening Post", The New York Times, March 30, 1969. Accessed August 29, 2009.
- "Return of the Post". Time. June 14, 1971. Retrieved 2008-04-12.
- Anonymous (June 14, 1971). "Return of the Post". Time. Retrieved 2008-04-12.
- "Around the Nation: Saturday Evening Post Sold to Franklin Society". The New York Times. January 10, 1982. Retrieved 2010-09-28.
- Melissa Mace (Fall 2005). "Beyond the Original Mission". Iowa Journalist. Retrieved 2010-09-28.
- "Saturdayeveningpost.com publishes a classic American bi-monthly magazine". Retrieved 2010-09-28.
- "Company News: Briefs". The New York Times. June 26, 1991. Retrieved 2010-09-28.
- Bloomgarden-Smoke, Kara (January 15, 2013). "Magazine Success Story: The Saturday Evening Post Keeps on Going". New York Observer. Retrieved April 3, 2014.
- "Meet the New Saturday Evening Post, Two Centuries in the Making". Saturday Evening Post. January 8, 2013. Retrieved April 3, 2014. "a new logo ... crafted from contemporary typeface but modeled closely on a logo the publication actually used in the 1930s"
- Otto Friedrich, Decline and Fall (Harper & Row, 1970), flyleaf, chapter 2, and passim, provides info for 1898-1969
- "Letters: From the Editor". saturdayeveningpost.com. The Saturday Evening Post. Retrieved July 7, 2009.
- Smith, Steve (January 18, 2012). "Steve Slon to Lead The Saturday Evening Post". Retrieved January 31, 2012.
- Slon's resume at stevenslon.com/sts_01CV.html shows editorial direction since October 2010 [when Stephen George left]
|Wikimedia Commons has media related to The Saturday Evening Post.|
- Saturday Evening Post Society – Current Publisher of the Saturday Evening Post Magazine and saturdayeveningpost.com
- Saturday Evening Post illustration archive 1923–1975
- George Horace Lorimer
- More Irrelevant Than Irreverent Pete Hamill for the Village Voice January 16, 1969